There are the sounds of Polestar: the idling, driving, and reversing sounds created by sound engineers to let bystanders know when the all-electric Polestar 2 is in motion. Then, there’s the Polestar sound: the music that encapsulates the brand, that is as much a part of our identity as our design language, our colour palette, and our symbol. And to create it, we enlisted the help of Lisa Nordström.
A composer, musician, and artist, Lisa Nordström creates everything from film scores to experimental radiophonic compositions from her base in Gothenburg’s Svenska Grammafonstudion. Known internationally for her work with Midaircondo, her numerous international festival appearances, her documentary Sonica Sequence, and her solo albums, Nordström received the 2010 Composer of the Year award from Manifest (a prize for independent record labels in Sweden) and SKAP (“Sveriges Kompositörer och Textförfattare”, the Swedish Society of Songwriters, Composers and Authors).
We sat down with Lisa to discuss spontaneity, the importance of taking risks, and how she’s defined Polestar through music.
Accelerating the change to a more sustainable future is like assembling a jigsaw puzzle. And as such, the challenge, can be approached from multiple angles while still working towards the same picture of sustainability. Putting electric performance cars on the road is certainly a corner stone, but many other pieces remain. Allowing the grid, our homes, and more to rely on more and more renewable energy being one of them.
Contents are exactly as advertised.
It’s said that a journey of a thousand miles begins with a single step. We’ve already broken up with the conventions of the car industry, determined to accelerate the change to a more sustainable future. Now we’re embarking on our greatest journey so far: challenging ourselves to create a climate-neutral car by 2030, by reducing emissions throughout supply chain and production.